{"id":24141,"date":"2024-01-19T20:43:11","date_gmt":"2024-01-19T20:43:11","guid":{"rendered":"https:\/\/beotura.rs\/?page_id=24141"},"modified":"2024-08-02T09:22:18","modified_gmt":"2024-08-02T09:22:18","slug":"beogradski-murali-2","status":"publish","type":"page","link":"https:\/\/beotura.rs\/en\/beogradski-murali-2\/","title":{"rendered":"BELGRADE'S INAUGURAL MURALS"},"content":{"rendered":"
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Street art in Belgrade emerged around the 1980s, although the exact year cannot be pinpointed, and it has been evolving ever since. Over the years, Belgrade has become a hub for a vibrant and diverse culture of graffiti, stencils, murals, stickers, and various other artistic interventions in public spaces. Similar to Berlin, Belgrade stands out among European metropolises with a thriving street art culture expressed through various channels.<\/p>\n

The beginnings of mural painting can be traced back to the late 1970s and early 1980s. In 1979, Lazar Vujaklija painted one of the first murals on the facade of the newly constructed Western Gate of Belgrade - the Genex Tower.<\/p>\n

Professor at the Faculty of Fine Arts, \u010cedomir Vasi\u0107, played a crucial role in promoting murals in Belgrade. In 1984, together with his students from the Academy, he painted a mural in Raji\u0107eva Street, across from the famous Akademija nightclub (in the building of the Faculty of Fine Arts). It was based on a sketch by Perica Donkov, a former student of the Faculty of Fine Arts who is now a well-known painter. The execution of the mural involved Vesna Kne\u017eevi\u0107 (Faculty of Fine Arts professor), Darija Ka\u010di\u0107 (Faculty of Fine Arts professor), Igor Stepan\u010di\u0107, and Mirko Ognjanovi\u0107, whose likeness was used in the sketch.<\/p>\n

The mural was created for the May 25th Youth Day and was organized in collaboration with the Youth Alliance of Belgrade, Jugobanka (located on the backside of the then Jugobanka building), and the construction company Komgrap. The mural has been restored twice since then, first in 2000 and then in 2018.<\/p>\n

In 1987, \u010cedomir Vasi\u0107 painted a less conspicuous mural with a group of his students in Prizrenska Street. Inspired by a photograph by Aleksandar Simi\u0107, the mural depicted motifs of a gate, metro, and river. During a facade renovation, the mural underwent significant changes.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u010cedomir Vasi\u0107, mural u Prizrenskoj ulici, 1987.<\/p><\/div>\n

The institutional incentive for a new wave of mural painting came with the IX Non-Aligned Movement Summit in 1989 held in Belgrade. The then-mayor, Bogdan Bogdanovi\u0107, initiated a city beautification plan that included painting murals on Belgrade's facades.<\/p>\n

Renowned Yugoslav artists were invited to provide designs for mural paintings in the city center. One of the most famous is \"The Runner\" by Vladimir Veli\u010dkovi\u0107 on the facade of the Rectorate building (Captain Mi\u0161a's Mansion) on Studentski Trg.<\/p>\n

Painters Miodrag B. Proti\u0107 and Ibrahim Ljubovi\u0107 conceived images for the facades on Terazije, which were painted on both sides of the street.<\/p>\n

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Miodrag B Proti\u0107, Terazije 1989.<\/p><\/div>\n

During that time, Ivan Rabuzin created a mural on the facade at Knez Mihailova 37. The mural is in poor condition and has not been restored.
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During the 1990s, several murals were painted. In the period of 1995-96, three murals were painted, one in Vasina Street and two in Kralja Milana Street. The murals were painted by Branko Milju\u0161 (Vasina), \u010cedomir Vasi\u0107, and Danica Basta. After 1995, a few more murals were painted, but all of them were destroyed or damaged.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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BLU, D\u017ein koji jede drvo, Pop Lukina, 2009.<\/p><\/div>\n

During the turbulent 1990s, institutional support for this type of urban city painting declined. In such a situation, an alternative graffiti scene emerged, operating independently and without official support. It was only in 2008 and 2009, as part of the Belgrade Summer Festival, that murals painted by Biljana \u0110ur\u0111evi\u0107, Vladimir Peri\u0107 Talent, and other local artists appeared. They were joined by global muralists such as the Polish artist Mariusz Waras, known as M-City, Italian artist Valerio Beruti, the artist known as Blu, French muralist Gijom Albi, also known as Remed, and others.<\/p>\n

One of the most recognisably murals in that part of the city is \"The Giant Eating the Tree,\" painted in 2009 on the facade of a building at Pop Lukina 6 by the artist Blu.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Text and photographs by Hana \u0160uica<\/p>\n<\/div>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Street art in Belgrade emerged around the 1980s, although the exact year cannot be pinpointed, and it has been evolving ever since. Over the years, Belgrade has become a hub for a vibrant and diverse culture of graffiti, stencils, murals, stickers, and various other artistic interventions in public spaces. Similar to Berlin, Belgrade stands out… Read More »BELGRADE'S INAUGURAL MURALS<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-24141","page","type-page","status-publish","hentry"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/24141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/comments?post=24141"}],"version-history":[{"count":34,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/24141\/revisions"}],"predecessor-version":[{"id":25833,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/24141\/revisions\/25833"}],"wp:attachment":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/media?parent=24141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}