{"id":22988,"date":"2024-01-14T19:11:31","date_gmt":"2024-01-14T19:11:31","guid":{"rendered":"https:\/\/beotura.rs\/?page_id=22988"},"modified":"2025-04-20T14:56:06","modified_gmt":"2025-04-20T14:56:06","slug":"ulicna-umetnost","status":"publish","type":"page","link":"https:\/\/beotura.rs\/en\/ulicna-umetnost\/","title":{"rendered":"STREET ART"},"content":{"rendered":"
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      Urban Street Scene<\/h3><\/h3>\n
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      Belgrade\u2019s street art scene kicked off in the 1980s and has been growing non-stop ever since. The city has become a hotspot for vibrant and diverse urban art, from graffiti and stencils to murals, stickers, and bold spatial interventions. In the European street art landscape, Belgrade stands tall as a city buzzing with creativity and relentless artistic energy.
      \nUnchanged: By 2021, the city\u2019s scene reached a new level with the installation of 3D graffiti and mural models, making street art accessible to blind and visually impaired individuals\u2014a powerful step in democratizing urban expression.\tUnchanged: By 2021, the city\u2019s scene reached a new level with the installation of 3D graffiti and mural models, making street art accessible to blind and visually impaired individuals\u2014a powerful step in democratizing urban expression.
      \nFueling this dynamic scene are countless artist collectives and solo creatives, each adding their flavor to Belgrade\u2019s sprawling, ever-evolving open-air gallery. This is more than art\u2014it\u2019s a movement.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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      MURALS<\/h3>\n
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      The first murals in Belgrade<\/a> appeared in the 1980s, marking the beginning of a new artistic chapter for the city. Back then, some of the most prominent artists of the time painted building facades in the city center, transforming urban spaces into monumental works of art.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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      GRAFITTI<\/h3>\n
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      Graffiti art<\/a> in Belgrade began to develop in the 1990s. Today, the city is home to a vibrant community of graffiti artists. We\u2019ve had the chance to talk to some of them about their work and creative process.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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      \n\t\t\"BIGZ\"\n\t<\/div>\n\n<\/div><\/div><\/div>

      GRAFITTI ARTISTS<\/h3>\n
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      Belgrade is home to a large number of renowned graffiti artists. Their stories can be found here<\/a><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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      \n\t\t\t\t\t\tBELGRADE STREET ART\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      \n\t\t\t\t\t\tCOMMEMORATIVE MURALS\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      \n\t\t\t\t\t\tBELGRADE INAUGURAL MURALS\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      \n\t\t\t\t\t\tGRAVEDIGGER TRASH ROMANTICISM\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>
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      \n\t\t\t\t\t\tARTEZ\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      \n\t\t\t\t\t\tLORTEK\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      \n\t\t\t\t\t\tBIGZ KAO PROSTOR ALTERNATIVNE UMETNOSTI\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div><\/div><\/div>
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      Koordinator grupe: Hana \u0160uica<\/em><\/a>, Istra\u017eiva\u010di : Zoja Andrijani\u0107<\/a>, Aleksa Ga\u010di\u0107<\/em><\/a>,\u00a0 Mila Keserovi\u0107<\/em><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div>

      <\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

      Belgrade\u2019s street art scene kicked off in the 1980s and has been growing non-stop ever since. The city has become a hotspot for vibrant and diverse urban art, from graffiti and stencils to murals, stickers, and bold spatial interventions. In the European street art landscape, Belgrade stands tall as a city buzzing with creativity and… Read More »STREET ART<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-22988","page","type-page","status-publish","hentry"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/22988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/comments?post=22988"}],"version-history":[{"count":99,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/22988\/revisions"}],"predecessor-version":[{"id":27933,"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/pages\/22988\/revisions\/27933"}],"wp:attachment":[{"href":"https:\/\/beotura.rs\/en\/wp-json\/wp\/v2\/media?parent=22988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}